threshold

Seven, twelve and seven
  leftovers, broken pieces,
    tumbled on the ground
      enough, more than enough

crumbs off the loaf
  built into sanctuary
    stone upon stone
      enough, more than enough

 standing on the threshold
  of hill and plain, land and sky,
    center and periphery,
      enough, more than enough

embraced by warm stones
  wombing, wild grass
    dancing.  It is enough,
      plenty, more than enough.

Liz McFadzean

Created on site on the grounds of Laity Lodge in Texas, “Threshold” is the work of Seattle artist Roger Feldman. It was built from limestone on the land with the help of local masons, each stone carefully placed by the artist. Designed as a quiet place of contemplation for individuals or small groups, its gently curving lines guide the visitor inside.  It is a place of stillness, warmth and connectedness to the surrounding landscape.

In the artist’s words, “There is an internal mathematical harmony between the elements…this resonates with Trinitarian thinking that began with the early Christians and ultimately came into intentional architectural thinking in Europe during the middle ages.” 

Feldman goes on to say, the “symbolic arrangement of space and form faces east, almost in line with the same parallel as the city of Jerusalem. The lone window in the tower faces almost due south. Light travels down toward a single seat in the tower during the day and at certain times of the year, will rest directly on the seat.”

“Threshold” symbolizes the hospitality and openness to artistic exploration of Laity Lodge itself.